Columbia, 1961.
vinyl condition: VG
Listen to the song.
DON'T WORRY has what is thought to be the earliest example of guitar distortion at 1:20 minute mark. Session guitarist Grady Martin, used a faulty channel in the mixing desk for his six-string bass, for the bridge section and brief reprise right at the end, to create a distorted fuzzy sound. Although Martin did not like the sound, Robbins' producer left the guitar track as it was. The sound was eventually reverse-engineered and developed into the Maestro FZ-1 Fuzz-Tone, manufactured by Gibson.